Adolescence (2025) Took Me Somewhere I Didn’t Expect – Flickside

Adolescence (2025) Took Me Somewhere I Didn’t Expect – Flickside

As somebody who research adolescent psychological well being and psychosocial dynamics of our digital tradition, Netflix’s Adolescence (2025) struck a well-recognized and unsettling chord. The British miniseries follows the gradual unraveling of Jamie Miller, a 13-year-old boy caught between emotional neglect, poisonous on-line areas, and a developmental map with no steering. What unfolds isn’t only a cautionary story—it’s a layered character research. Jamie’s descent touches on a spread of psychological frameworks: Attachment Idea, Social Studying, Household Techniques, Erikson’s disaster of identification, and the darker edges of cyberpsychology and forensic apply. He’s much less a personality than a case—a mirrored image of what occurs when early wants go unmet and the algorithm steps in to reply. 

Jamie’s unraveling ties again to John Bowlby’s Attachment Idea, which says early bonds form how we relate to the world. With distant dad and mom and detached mates, Jamie grows up uncertain of the place he stands. His fixation on Briony Ariston, the forensic professional, isn’t simply adolescent craving; it’s out of a deeper must really feel seen. It’s much less about affection, extra about recognition—one thing he’s by no means had. That want leaves him uncovered, particularly on-line, the place consideration is fast, shallow, and sometimes harmful. His seek for connection makes him simple to achieve—and simple to tug in.

Jamie’s fragility is best understood via Erik Erikson’s concept of Identification vs. Position Confusion—the disaster each teenager faces whereas making an attempt to determine who they’re. Rejected by friends, uncared for at residence, and pulled in by poisonous on-line areas, Jamie’s sense of self by no means fairly kinds. He swings between faux confidence and buried disgrace, caught in a loop of looking for approval and pushing individuals away. With no regular identification, he reacts as a substitute of displays, drifting farther from who he would possibly’ve been.

Albert Bandura’s Social Studying Idea presents a transparent lens on Jamie’s habits. Bandura argued that folks study by watching others, particularly when these behaviors are rewarded. In Jamie’s case, social media turns into each classroom and stage. He spends hours absorbing content material from male supremacist influencers and boards that bundle anger as power and empathy as weak point. The extra he posts, the extra likes and feedback he receives—tokens of validation that reinforce a distorted model of masculinity constructed on dominance, management, and emotional detachment. Over time, these on-line cues form not simply what Jamie believes, however how he behaves. What begins as passive consumption turns into lively imitation, blurring the road between affect and identification. The web doesn’t simply replicate him—it remakes him.

Jamie’s beliefs don’t kind in isolation—they’re formed, repeated, and strengthened by the digital areas he inhabits. Social media, with its regular loop of likes, feedback, and shares, acts as a behavioral reward system. The extra Jamie engages, the extra his worldview hardens. Leon Festinger’s Social Comparability Idea helps clarify why.

We measure ourselves towards others, Festinger wrote, particularly after we really feel uncertain of who we’re. Jamie scrolls via Instagram not only for leisure however to put himself—continuously—inside a hierarchy he can’t win. One remark, specifically, hits arduous. A sarcastic jab from classmate Katie Leonard, laced with emojis, mocking his perceived “involuntary celibacy.” For Jamie, it’s not only a private slight. It’s public disgrace, amplified by the group watching.

Jamie’s struggles don’t start on-line—they start at residence. Household Techniques Idea, notably Murray Bowen’s work, sees households as emotional items, the place every member’s habits impacts the remaining. The Miller family isn’t violent or chaotic, however it’s emotionally closed off. Disagreements are prevented, emotions are left unstated.

Jamie’s father Eddie Miller embodies a sort of quiet, stoic masculinity—measured, indifferent, unwilling to indicate vulnerability. That restraint units the emotional tone of the home, the place expressing want seems like a breach of decorum. On this silence, Jamie learns to suppress relatively than share. His emotional starvation doesn’t disappear, it simply strikes elsewhere. He turns to Instagram not out of vainness, however out of a seek for what’s lacking: acknowledgment, consideration, and connection.

One of many collection’ quietest moments speaks volumes: Eddie, alone, holding Jamie’s teddy bear—a small, wordless gesture that lastly acknowledges the emotional rupture neither father nor son may title. In the meantime, the presence of Briony Ariston, the forensic psychologist, shifts the narrative from crime drama to psychological excavation. Her strategy echoes Carl Rogers’ Particular person-Centered Remedy, grounded in empathy and unconditional regard. However in a forensic setting, that heat comes with threat—an excessive amount of openness can blur skilled boundaries. Briony stays measured. She doesn’t feed Jamie’s want for emotional response, even when he pushes with provocative, loaded questions. That silence unsettles him. Her restraint triggers the very concern he’s carried all alongside: being unseen, unanswered, left alone once more.

​​Cyberpsychology helps clarify what occurs when loneliness finds an viewers. On-line, Jamie sheds the filters he wears in actual life. The boards he drifts into promise belonging, however feed on grievance. They don’t simply validate ache—they reshape it, turning private harm into collective outrage. In these areas, rejection turns into a narrative about injustice. And injustice calls for a response. For Jamie, incel rhetoric doesn’t simply echo how he feels—it offers him permission to really feel that approach. Greater than that, it arms him a script: when you’re ignored, retaliate. The hazard isn’t simply what he believes—it’s how shortly these beliefs begin to really feel like fact.

Adolescence doesn’t current Jamie as a lone outlier. It sees him, as a substitute, because the product of quieter failures—emotional, academic, digital—that always go unnoticed till it’s too late. His story doesn’t ask for pity, however it does press us to replicate. What does it take to lift emotionally fluent youngsters in a tradition that prizes restraint over openness? How ought to colleges put together younger individuals not only for exams, however for the emotional turbulence of rising up on-line? And in adversarial settings, how do therapists keep engaged with out being drawn in? The collection doesn’t supply simple solutions. But it surely asks the best questions.

Adolescence feels so well timed not as a result of it tries to be, however as a result of it doesn’t flinch. It sketches a world the place emotional silence, digital noise, and institutional blind spots quietly converge—and reveals what can occur within the area they go away behind. The collection doesn’t push an agenda, however it makes a case: for listening earlier, for instructing youngsters easy methods to title what they really feel, and for treating digital life as a part of emotional life, not separate from it.

Seen via a psychological lens, Jamie’s story turns into greater than narrative—it turns into a mirror. One which displays not simply who he’s, however every little thing round him that failed to note.

The place to Watch: Netflix